Hibiscus TheoryBrand Kit 6.2 MB

Brandassets

Our logo in every form we use it, with our colours and type. You’re welcome to use them to write about us, list us, or show work we made together.

Download the kit 6.2 MB

35 files, updated 9 October 2026

The Hibiscus Theory mark: a five-petalled hibiscus cut from violet and cyan crystal

Kuala Lumpur
Est. 2024

HIBISCUSTHEORY

Using it

Use the files as they come. If something here doesn’t fit what you’re making, write to us and we’ll make you a version that does.

You’re welcome to

  • Use our logo to refer to us in press, articles and talks.
  • Show it on a client, partner or sponsor page.
  • Credit us on work we made together, or in a case study.
  • List us at an event, on a directory, or in a deck.

Please don’t

  • Suggest we endorse or sponsor something we don’t.
  • Make it part of your own logo, product or brand.
  • Make it the most prominent thing on your page or product.
  • Change it. The section below shows the usual ways people do.
The horizontal lockup inside its clear-space margin xx

Clear space

Keep a margin around the logo at least x wide, where x is the height of the H in our name. Nothing else goes inside it: no text, no edge, no other logo.

The lockup at its smallest size
120 px wide on screen
30 mm in print
The mark at its smallest size
24 px
8 mm

Minimum size

Below these the name stops being readable and the crystal turns to a smudge. Shown here at actual size.

Don’t stretch or squash it.

Don’t rotate it.

Don’t recolour the crystal.

Don’t add shadows, glows or outlines.

Don’t place it where it can’t be read.

Hibiscus Theory

Don’t reset our name in another typeface.

Colour

A dark ground, light type, and the hibiscus’s own spectrum for the moments that should glow. Select any value to copy it.

Sampled from the crystal, in order, cyan to magenta. On the title card they run as hard-edged diagonal bands through the outline of our name; in a fill they may blend.

Core

Mostly void, with type in ink. The greys carry everything that should read second.

Void

The ground. Most of every surface, on screen and in print.

Hex
RGB
10 15 26
Ink on void 17.2:1 AAA

Ink

Type, and the reversed logo.

Hex
RGB
239 243 249
On void 17.2:1 AAA

Dim

Supporting copy and captions.

Hex
RGB
163 177 198
On void 8.8:1 AAA

Dimmer

Labels and metadata. Too faint for body text.

Hex
RGB
108 123 146
On void 4.5:1 AA large

Line

Hairlines, borders and grids. Ink-blue at 17% over void.

Hex
RGB
38 46 63
CSS
rgba(175, 200, 245, .17)
Never for text

Accents

Used in small amounts. Cyan is the only one that ever means something.

Cyan

Interaction: hover, focus, progress, anything live.

Hex
RGB
99 232 255
On void 13.2:1 AAA

Amber

Step numbers and small counts.

Hex
RGB
255 190 114
On void 11.7:1 AAA

Violet

Glow and light in imagery.

Hex
RGB
169 140 255
On void 7.2:1 AAA

Coral

Warnings, and glow in imagery.

Hex
RGB
255 111 142
On void 7.2:1 AAA

The whole palette, for your design tool or your code.

Type

Four families, all free on Google Fonts. Anton does the talking, JetBrains Mono does the explaining, and the other two appear once a page at most.

Anton

Headlines and our name. Set tight, often in capitals, never smaller than 18 px.

Anton on Google Fonts

Hibiscus Theory

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789

JetBrains Mono

Body copy, labels and interface. Regular and Medium, nothing heavier.

JetBrains Mono on Google Fonts

A flat mockup cannot tell you whether a trading screen feels fast, or whether opening a card pack feels fair. Those answers only exist in something you can actually use. So that is what we build first.

0123456789 {} [] => != &&

Instrument Serif

The quiet voice: a pull quote, a single line that should slow the reader down. Italic first.

Instrument Serif on Google Fonts

Only in motion.

Written so it can still be changed a year later, by someone who was not there when it was made.

Syncopate Bold

Reserved for the display wordmark. Not for headings or text.

Syncopate on Google Fonts

Hibiscus Theory

Wide and even in stroke, which is what lets the spectrum run through its outline.

Our name

What to call us, and the words to use if you need to say who we are.

Writing it

  • Hibiscus TheoryTwo words, both capitalised. Every time.
  • hibiscustheoryOnly in our web address, email and handles.
  • Hibiscus theoryThe second word is capitalised too.
  • HibiscusTheoryTwo words, with a space.
  • HTPlease don’t shorten it in public.

Describing us

In a few words

Hibiscus Theory is a creative technology studio in Kuala Lumpur.

In a paragraph

Hibiscus Theory is a creative technology studio in Kuala Lumpur. Design and engineering work as one team, building real-time interfaces and complete products end to end, then handing them over so clients’ own people can carry them.
Founded
2024
Based in
Kuala Lumpur, Malaysia
Web
hibiscustheory.com
Email
hello@hibiscustheory.com